The realism has been insulted for the long time by some, which they saw in this type of painting more technical than art, although the one who understands it this way is because it has never tried to do inside this genre.

In the realism, the light and the colour they need of a chromatic knowledge, of a mastery of the drawing and of the necessary imagination so that the compositions present themselves before the eyes of the spectator as a compensated and homogeneous set. The imagining is the same way an ingredient appellant, although not essential, to go so far as to create a good work, but it will be necessary to be convenient that the representation of human figures impregnates a life picture and never rather.

I have always liked recreating the Mediterranean ambience, since the light and the colour of our ground suppose an incitement to the calm simultaneously that an ode to the plasticity. In this work I have understood necessarily to apply each of the special elements, although I have believed proceeding to introduce a series of additional elements between which he emphasizes the innocence of a few children who do not need anything more to reflect the happiness and the fair weather in its faces that a few objects. This way of simple. In the times that they cover it does not come badly at all to appreciate in its measured joust the delight in the simplicity, the contemplation of the understandable thing and the invitation to enjoy the nature.

Excuse me the friends of the abstract thing and the lovers of the complex thing, but I believe that this epoch in that, as he was saying the song, let´s want or let’s not want there has had us to journey to all, does not come badly at all a dose of works in which the looks could rest and an invitation to that some, that they not all, of course, see that the realism has in these times equal capacity that the “modern” so called thing.

Leonardo Fernández González